Caprica, Chapter II: Sh** Just Got Real

As I alluded to in last week’s Caprica essay – where I examined the first hints of the meltdown to come – I’m quite excited about the new direction the producers are now taking the show.

Friday night was a “mid-season finale,” which is now being followed by some sort of extended hiatus, but what’s clear even at this point is that the show’s writers are beginning to see the value in breaking out of the bubble. I actually call it the ‘bubble of gloom and theory.’ The bubble in which fathers fret over virtual daughters, a mother has something of a secluded mental breakdown, where an ailing father curls up on the couch with his holoband, scouring New Cap City for his little girl.

All these internalized, detached, removed sequences that have lined Caprica thus far. (More at Techland: Read our interview with the Caprica creators)

As much as anyone watching the show, I’ve appreciated the philosophical, metaphysical debates that are playing out within this bubble. But I can also understand why some early viewers of the series may have grown antsy. This is all talking and mulling, posturing and emoting. Where’s the action? Where’s the momentum?

Well, Friday night’s episode tossed a grenade into that bubble and blew the series wide open, with a chapter that looked and felt unlike anything the show has done thus far. We opened with a high-speed chase – and a robotic war machine on the move – saw the STO actually step up and commit some real terror, witnessed Amanda Graystone take the plunge in a suicide attempt, and saw Joseph Adama get permanently obliterated in New Cap City.

It was a wealth of payoffs, one after another, all with far-reaching implications. For instance, now that we know the robot’s on the run, and that Graystone Industries is losing its military connections, what does this mean for Zoe’s avatar? If they decommission the project, where does her sentience go? And if the company starts to go broke, how will the affluent Graystones begin to cope? There’s also that whole theft and murder subplot, lingering around since the pilot…how is Graystone going to deal with the prospect of becoming a common criminal? (More at Techland: See a preview of the whale war, to air on tonight’s episode of Life)

The Adamas, forced out of the holoband universe, will now have to direct their rage elsewhere. Lacy, betrayed by the STO, is clearly done trying to petition them for help. Sister Clarice, knowing that she was the target of a hit, is no doubt going to either go underground or retaliate in a very real way. And Amanda: Even if she isn’t dead – and here’s betting she isn’t – she’s clearly hit rock bottom. I think it’s through her story where the issue of mourning and tragedy will shift. Joseph Adama and Daniel Graystone now have bigger things on their minds.

All plot aside, I just loved the way this show moved. There was tension, there was suspense, there were explosions, as well as the creative device of structuring it all around Zoe’s road race and the timeline leading up to that showdown. And we’ve now crossed some crucial lines that ensure the show is going to be more immediate and urgent. No doubt emotional discussions and debates will stille be prominent, but one of my favorite recent Caprica moments involved Clarice, on the phone with a teary-eyed Amanda, all but rolling her eyes at this mushy housewife. I bet Clarice’s annoyance matches that felt by some of the show’s critics.

But there’s more parts moving now than there were two episodes ago, and while it might take it a little while for all of these developments to fully sink in – we’ll be posting a much more thorough Caprica analysis and primer before the show resumes – I finished the episode a little exhilarated by where things are going and how quickly they’re getting there. I think we’ve turned a page here. Sh** just got real.

Caprica fans: Impressed by this changing tempo and attitude?

Caprica critics: Any chance you’ll give this show a try again now, knowing that we just witnessed a rather bad-ass high-speed chase, and a wicked car bombing?

More at Techland: Welcome to the Harry Potter theme park

Related Topics: adama, battlestar galactica, caprica, graystone, mid-season finale, syfy, tv, Gaming & Culture
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  • bignumone

    Hey, you asked for input from a Craprica critic, so don’t be surprised.
    Yeah, yeah, you keep saying that it is taking these wonderful spins and turns. I watched two last time just to see if I missed something. So I am pretty much caught up on the series. I still didn’t like the show.
    Long, boring and preachy, they could almost do the same thing in 1/2 hour and I don’t know if I would like it.
    Should I really, and I mean really, spend another hour to see if I will like it? I can see why critics turn into people like Roger Ebert when they have to watch a show (movie) they don’t find the least interesting just to see if maybe the writers got a clue!
    I really, really wanted this to be a good series. And I love character development, and don’t mind watching that for some time. But this tortilla has too many layers of crap to swallow. Plus, why in god’s name does it take one half season for the show to “get real”?
    Oh, “Lost” lost me for this reason as well. It has nothing to do with the physical action, it has to do with lack of motion in the plot. They need Whedon writing for them. There is a guy who knows how to take short sub-plots and weave them into a long story arc!

  • bignumone

    BTW, I didn’t like the BSG razor movie, either.
    It has little to do with the action and more to do with a bad story and preachy writing.

  • ope2244

    I don’t know why bignumone hates everything but I love Caprica (and BSG)!

  • wackyxaky

    I really love character development and the drama between characters. Although I’m a huge sci-fi media consumer, I need that sci-fi to be strong on those traditional literary strengths. Drama from action is wonderful, but when it comes down to it, it’s the interpersonal drama that makes the story for me. That’s why I hate Caprica (watched three episodes before giving up). The characters are awful. I don’t empathize with them, much less sympathize. They’re flat, their motivations seem overly manufactured, and often they just seem downright stupid. The females tend to be worse, as if the writers only know women who are emotionally unstable and free of any rationality.

    I’m not saying you can’t have stupid or irrational or emotionally unstable characters, but you can’t just have a character start acting emotionally unstable to drive the plot. There needs to be some development that believably pushes the characters to act in the way they do.

  • bignumone

    Gooly gee, ope2244, I don’t hate everything, just preachy, boring, poorly written shows like Craprica.
    I LOVED BSG, I thought “Razor” was a POS, going the direction I really disliked. And Craprica went that way as well.
    Wackyxaky hit it right on character development gone wrong. But that isn’t even what bugs me most about the 5 or so (Cap) shows I have watched. I won’t bore you with those details. If you are that interested, just look up my old comments on the matter.

    I am just happy there are people in the world like ope2244 that love EVERYTHING! My tastes just don’t run that way. You might say the show is the wrong “flavor” for me.

  • dmj23

    Friday’s episode was by far my least favorite episode. Necessary perhaps, but I still think the most intriguing notion of Caprica was the interaction of ones sense of self. They seem to have abandoned that for “lets all fight over the robot and amongst ourselves.”

    I do like a long drawn out debate though.

    As a perspective: I loved BSG up until they found Earth (the first one) – after that I nearly hated it. Razor was great!

  • Rorschach

    I think it’s not that bignumone hates everything, but just that they don’t have the patience for admittedly slower moving shows (or at least slower revealing shows). I have no problem with shows that don’t run through an outline, point by point.

    Back to specifically this episode… poor Philomon. I was starting to really like that character.

    And if Amanda is really dead I won’t be too upset, although I agree that she probably isn’t.

  • bignumone

    Really, long and slow development is fine by me. But this show is crazy slow, like Lost, although Lost meandered about so much it just drove me nuts.
    No, this show goes beyond boring and into the realm of preaching to me about all sorts of moral and religious issues.
    I find it to be a pseudo-intellectual wasteland.

    But again, that is just me. Think what you like, I am not going to comment any more on this one.

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