The Guy Who Hates Comic-Con, Part III: Stormtrooper House Party

It’s Thursday morning, the morning of the first day of actual programming at Comic-Con, and the atmosphere is approximately the same as right before the fiesta starts in Hemingway’s The Sun Also Rises.

At least nobody’s getting their genitals shot off here. As far as we know.

The preview night last night was really nice for about an hour, which is all the time you can spend on the exhibition floor before you have to take a saving throw vs. madness. If you looked really carefully, in between the giant gleaming metal Transformers, and the giant gleaming throne of Asgard, and the giant gleaming Tron light cycle, you could see tiny scurrying forms. These tiny scurrying forms were artists, who were at Comic-Con with their art, and much of it was amazing.

So that was good.

This morning I’m on a panel myself, which is pretty much why I’m here. (It’s on here somewhere.) The small panels at Comic-Con are great. Great writers come to be on them (Patrick Rothfuss, China Mieville, Naomi Novik, Scott Westerfeld, and others I’m forgetting right now are all here.) The rooms are always full (partly because it’s impossible to get into anything else, but partly because people here care passionately about fantasy and science fiction). The conversations are fascinating.

Even I lack the power to bitch about it. I wish that were more the focus of the Con.

I’m going to stick to the panels as much as possible today. But I will decloak long enough to go see Joss Whedon and J.J. Abrams talk onstage, and then tonight I will plunge directly into the fires of promotional hell to see a screening of Scott Pilgrim. Don’t let me down Scott.

(I was going to interview Robert Rodriguez for Machete, too. But his people bailed.)

Which will be followed by an absolutely mental event celebrating the 30th anniversary of The Empire Strikes Back. As far as I can tell in advance this will consist of trying to make eye contact with celebrities while people in stormtrooper costumes dance to house music. Because what better way to celebrate the history of a great nerd franchise?

Related Topics: comic-con, the guy who hates comic-con, tiny scurrying forms, Gaming & Culture
  • midpipps

    I think the panels are what would be the best part about comic-con. I agree with your assessment in the first article though. It is sad that conventions that used to be for the people have turned into a for the companies.

    Take GDC for example it used to be a place where programmers got together talking about the latest tech and the latest techniques and more and more it is turning into a show off the latest games to the media.

  • http://www.twitter.com/leverus Lev Grossman

    GOD DAMN MEDIA RUIN EVERYTHING.

    oh. wait.

  • midpipps

    I guess I wasn’t really blaming it on the media as much as on the bigger companies. It is kind of like budweiser showing up to the microbrewers convention. Sure they should probably have some of their people there to learn about the beer and maybe get some ideas but they should not have a plot the size 4 of any other companies and shouldn’t have some huge panel on the new budweiser ultra cool light caffeine beer they are going to be selling unless they are actually going to talk about processes or have some other QA or whatever to go with it. The could show it off in their booth like everyone else. and they should get equal footing as everyone else.

  • http://bryantalpha.wordpress.com bryantalpha

    The best part about Comic-Con is blowing it off, driving the 30 minutes north to Escondido and going to the Stone Brewery.

    Also the first person who rents space nearby and fills it with sensory deprivation chambers will probably become an instant millionaire.

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