You’ve gotta love Warehouse 13. It can go from supernatural to silly to suspenseful in the span of only a couple seconds.
It’s hard to think of a TV series that matured as dramatically, or successfully, as Warehouse 13. When it debuted last July 7th, it had the mystical artifact thing going for it, as well as the governmental conspiracy thread. But then it took The X-Files and mixed in a whole lot of Moonlighting and Bones. [...]
After all the rumors and night terrors, suppositions and double-questioning, Sony has finally saddled up for a new Spider-Man: Andrew Garfield.
It’s finally opening day for The Last Airbender, the epic Avatar adaptation that arrives under a gloom of mean-spirited and short-sighted reviews, many outraged about the racial issues surrounding its casting. More on that a bit later with my review.
There are flawed movie characters. One-dimensional movie characters. Incomprehensible movie characters.
Airbender week: It’s finally here.
I hope you’ll pardon the lack of clarity in this post. I’m halfway through processing a reaction – on my way towards forming a cohesive thesis; All I have right now is a contradiction, that I’m trying to work out.
Okay, I tried to write this up in a civil fashion. But then I went all Lewis Black explaining it to a co-worker. So pardon my rage, but here we go:
So is the real irony of ironies here the fact that Peter Jackson was so successful in making Lord of the Rings that it meant no one else would ever come close to the world of Tolkien?
I can’t remember when it happened, when I first started to just assume that each and every Pixar project would be gold.
The existential crises run deep in the Toy Story universe, ensuring that not only are these some of the most breezy, and beautiful, animated films ever conceived – but also some of the most philosophically challenging.
