Until The Adjustment Bureau sells out – philosophically, intellectually, conceptually – it’s a compelling yarn about the wool being peeled from one’s eyes, revealing the true nature of the universe, that “adjusters” constantly tweak our destinies to ensure we arrive at our predetermined destination.
The Hollywood-types behind cultural juggernaut The Social Network want you to know they really do “Like” Mark Zuckerberg, even if his film counterpart is something of an unflattering shadow.
This is not quite a full review here. I’ve read other TRON: Legacy reviews out there, and am more intrigued about the dialogue that’s starting to take shape. There are a handful of spoilers below, but my intention here is not to give the game away, merely to talk about what it all means. Come [...]
There’s definitely something magical about the world of Harry Potter brought to life on film, and surprisingly, it has nothing to do with wizardry. The man behind the magic is actually Tim Burke, visual effects supervisor for Harry Potter & The Deathly Hallows: Part One, in theaters now.
The DVD release of Disney’s A Christmas Carol starring Jim Carey as yuletide tyrant Ebenezer Scrooge, will reveal the tech process behind Carey’s transformation from live-action actor to cartooned character.
You’ve either seen Let the Right One In or you haven’t; either way, I’m betting you’ll love Let Me In, the uber-faithful, yet subtly distinctive, U.S. remake. I first saw clips of the movie at Comic-Con where director Matt Reeves (Cloverfield) was clearly worried about alleviating concerns that he had taken a subtle, evocative vampire [...]
To honor the sleepy Swedish roots of Let Me In, we’ve listed twenty films that have gone somewhat unseen in the catalog of vampire films.
I’ve seen The Social Network, and I think it’s the real deal: A near-flawless, groundbreaking, intoxicating vision of the time span during which a whole new world order defined itself. And I’ve found myself a little perplexed by all the critiques out there that have called into question the shallowness or flimsiness of the fictionalized [...]
Yay! Iron Man 2 opens today.
In March, 1910, the first film adaptation of Mary Shelley’s Frankenstein was released by Edison Studios. (Yes, that Edison.) The 12-minute silent film is most widely seen as the version most true to Shelley’s work, featuring a brash, young Dr. Frankenstein and a creature of enormous size, but minus the green skin and neck bolts.
This weekend brought us details of a few of the most talked about upcoming sequels. Because we love you, we’re breaking the news down in easy-to-digest bits. Bon appetit:
