Origins: Bob Layton

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What was your first published comics work? What’s your impression of it now?

As Wally Wood’s art assistant back in 1977, I would occasionally deliver pages for Woody when I made a trip into NYC from Connecticut. One day, I was in the Marvel offices, handing in Woody’s pages to the production dept. So I used the opportunity to show my samples around while I had my foot in the door. When I passed the Art Director’s office, I heard John Romita on the phone, frantically trying to find someone to ink a desperately late issue of Iron Man by George Tuska.  Blissfully unaware of the consequences, I stuck my head in his doorway and said I could get the job done in the four or five days that was left on the schedule.  It was an utter fabrication–but I really wanted to work for Marvel Comics!  Johnny gave me the pages and said, “Show me what you can do, kiddo.”

(More on Techland: So You Want to Read an Iron Man Comic)

Panicking, I ran down Madison Ave. to Continuity Associates, where a lot of my fledgling contemporaries worked for Dick Giordano and Neal Adams. (The gang at that time comprised of Terry Austin, Bob Wiacek, Joe Rubinstein, Bob McLeod, Carl Potts and others.) Like the troupers that they all were, they pitched in on the inking and we finished the entire book in less than four days. It was awful but, at least, publishable.

However, once I turned the Tuska job in, I never heard back from Marvel. I was sure I had permanently destroyed any chance of ever getting work there again,

Then, about a month after the Tuska job, a package arrives on my doorstep. I open it to find a complete issue of pencils on The Champions.  I presumed that it was sent to me in error, so I called the Marvel offices to see where they want me to forward the material.  But my utter amazement, Romita tells me that I’m the new regular inker on the book.

Two decades later, I sought out George Tuska at a convention and apologized for the amateurish finishes on that first job. He was a very good sport about it.  Got to love the old school professionals!

It looks like you’re working on a couple of Iron Man projects for next year–what can you tell us about those? Anything else in the works?

Marvel has recently released two hardback editions of my classic Hercules series in conjunction with my new four-issue mini-series, Hercules: Twilight of a God, which is currently on sale. My writing partner David Michelinie and I are currently generating two new Iron Man projects for Marvel for 2011– a one-shot What If..? entitled “What If Tony Stark Became Dr. Doom?” and a four-issue mini-series–Iron Man Forever–which will feature our original concept for “Armor Wars II.” David and I also co-created a new episode for the second season of the Iron Man Armored Adventures cartoon series for Nicktoons.

(More on Techland: See a guest column on Techland by Bob Layton)

And ‘Ill be publishing the late Dick Giordano’s last work, the graphic novel version of my web comic “Colony.” Dick was able to complete the pencils on the series’ exciting conclusion before he passed away earlier this year.  There have been 105 pages of the saga published on my website (still available by clicking on the “Colony” link on my home page) and another 45 pages of pencils currently being written and inked by me. I’m also in the process of reviving my former publishing company, Future Comics, with my creative and business partners, David Michelinie and Skip Farrell, and moving into the digital publishing business for iPad applications.

Along with my comics work, David Michelinie and I are also busy in Hollywood developing properties including the upcoming motion picture “Shambler.” And I just completed my first solo movie screenplay for Olmos Productions, entitled “The Helix.”

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